| Titre : | Babette Mangolte : selected writings, 1998-2015 | | Type de document : | texte imprimé | | Auteurs : | Babette Mangolte, Auteur ; Luca Lo Pinto (1981-....), Editeur scientifique | | Editeur : | Berlin : Sternberg Press | | Année de publication : | 2017 | | Autre Editeur : | Vienne : Kunsthalle Wien | | Importance : | 1 vol. (382p.) | | Présentation : | ill. en noir et blanc | | Format : | 18 cm | | ISBN/ISSN/EAN : | 978-3-95679-418-6 | | Note générale : | On the occasion of the exhibition "Babette Mangolte-I=Eye", Kunsthalle Wien, December 15, 2016 - February 20, 2017
| | Langues : | Anglais | | Catégories : | Cinéma -- Production et réalisation
Danse
Documentation
Photographie -- 20e siècle
Photographie -- Esthétique
Photographie d'oeuvres d'art
Théâtre -- Production et mise en scène
| | Résumé : | A single black-and white photograph taken by Babette Mangolte has come to epitomize New York's downtown art scene of the 1970s. The dancers performing Trisha Brown's 'Roof Piece' characterize perfectly the wild spirit of the time. Choreographed as an echo of movement unfolding across SoHo's rooftops, the dancers mimed the chimneys, water towers, and fire escapes which surrounded them across that skyline. Influenced early on by Dziga Vertov's 'Man with a Movie Camera' and the work of Stan Brakhage and Jonas Mekas, Mangolte began studies in 1964 at the renowned E?cole nationale de la photographie et de la cinematographie in Paris, one of the school's first female students. In 1970, having become disillusioned with the film scene in France, Mangolte moved to New York and became involved in the avant-garde film and dance milieus of the Kitchen and the Anthology Film Archives. 'Selected Writings, 1998-2015' is a collection of texts by Mangolte in which she reflects on her practice as a photographer and filmmaker and her collaborative work with filmmakers, artists, dancers, and choreographers. She provides insights into the techniques and methods she created as well as her relationships with notable collaborators such as Marina Abramovic?, Chantal Akerman, Trisha Brown, and Yvonne Rainer. | | Note de contenu : | Includes bibliographical references |
Babette Mangolte : selected writings, 1998-2015 [texte imprimé] / Babette Mangolte, Auteur ; Luca Lo Pinto (1981-....), Editeur scientifique . - Berlin : Sternberg Press : Vienne : Kunsthalle Wien, 2017 . - 1 vol. (382p.) : ill. en noir et blanc ; 18 cm. ISBN : 978-3-95679-418-6 On the occasion of the exhibition "Babette Mangolte-I=Eye", Kunsthalle Wien, December 15, 2016 - February 20, 2017
Langues : Anglais | Catégories : | Cinéma -- Production et réalisation
Danse
Documentation
Photographie -- 20e siècle
Photographie -- Esthétique
Photographie d'oeuvres d'art
Théâtre -- Production et mise en scène
| | Résumé : | A single black-and white photograph taken by Babette Mangolte has come to epitomize New York's downtown art scene of the 1970s. The dancers performing Trisha Brown's 'Roof Piece' characterize perfectly the wild spirit of the time. Choreographed as an echo of movement unfolding across SoHo's rooftops, the dancers mimed the chimneys, water towers, and fire escapes which surrounded them across that skyline. Influenced early on by Dziga Vertov's 'Man with a Movie Camera' and the work of Stan Brakhage and Jonas Mekas, Mangolte began studies in 1964 at the renowned E?cole nationale de la photographie et de la cinematographie in Paris, one of the school's first female students. In 1970, having become disillusioned with the film scene in France, Mangolte moved to New York and became involved in the avant-garde film and dance milieus of the Kitchen and the Anthology Film Archives. 'Selected Writings, 1998-2015' is a collection of texts by Mangolte in which she reflects on her practice as a photographer and filmmaker and her collaborative work with filmmakers, artists, dancers, and choreographers. She provides insights into the techniques and methods she created as well as her relationships with notable collaborators such as Marina Abramovic?, Chantal Akerman, Trisha Brown, and Yvonne Rainer. | | Note de contenu : | Includes bibliographical references |
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