| Titre : | Pedro Cabrita Reis : one after another, a few silent steps ; [exhibition, Hamburger Kunsthalle, Galerie der Gegenwart, October 31. 2009-February, 28. 2010, Carré d'art-Musée d'art contemporain de Nîmes, spring 2011 and Museu Coleccao Berardo, Lisbon, June 6, 2011-Septembre 11, 2011] | | Type de document : | texte imprimé | | Editeur : | Ostfildern : Hatje Cantz | | Année de publication : | cop. 2010 | | Importance : | 366 p. | | Présentation : | ill. (certaines en coul.) | | Format : | 30 cm + | | Accompagnement : | 1 brochure (14 p.) | | ISBN/ISSN/EAN : | 978-3-7757-2558-3 | | Note générale : | Bibliogr. p. 337-339
Texte en anglais et en allemand. | | Langues : | Anglais | | Catégories : | Reis, Pedro Cabrita (1956-....)
| | Résumé : | Since the early nineteen nineties, the work of Pedro Cabrita Reis (born 1956 in Lisbon) has revolved around the subjects of homes, housing, architecture and territory. Alongside works based on such elements of everyday as tables and chairs, doors and windows, he also regularly creates installations which take possession of exhibition spaces by means of architectonic structures that are as complex as they are violent. With hulking brick walls, found objects and industrial materials such as neon tubes, sheets of glass, steel supports or coarse boards he undermines the classic white cube or unceremoniously occupies a large baroque ceremonial room with a series of shantytowns
Crudely knocked together house boxes such as The Project (2002) deny a look inside; doors lead nowhere, staircases into nothingness. Blind Cities is the title of a group of works whose stoic, melancholy appearance references the “homelessness” of humanity as a basic constant of the human condition and thus to one of the leitmotifs of Cabrita Reis’s oeuvre. |
Pedro Cabrita Reis : one after another, a few silent steps ; [exhibition, Hamburger Kunsthalle, Galerie der Gegenwart, October 31. 2009-February, 28. 2010, Carré d'art-Musée d'art contemporain de Nîmes, spring 2011 and Museu Coleccao Berardo, Lisbon, June 6, 2011-Septembre 11, 2011] [texte imprimé] . - Ostfildern : Hatje Cantz, cop. 2010 . - 366 p. : ill. (certaines en coul.) ; 30 cm + + 1 brochure (14 p.). ISBN : 978-3-7757-2558-3 Bibliogr. p. 337-339
Texte en anglais et en allemand. Langues : Anglais | Catégories : | Reis, Pedro Cabrita (1956-....)
| | Résumé : | Since the early nineteen nineties, the work of Pedro Cabrita Reis (born 1956 in Lisbon) has revolved around the subjects of homes, housing, architecture and territory. Alongside works based on such elements of everyday as tables and chairs, doors and windows, he also regularly creates installations which take possession of exhibition spaces by means of architectonic structures that are as complex as they are violent. With hulking brick walls, found objects and industrial materials such as neon tubes, sheets of glass, steel supports or coarse boards he undermines the classic white cube or unceremoniously occupies a large baroque ceremonial room with a series of shantytowns
Crudely knocked together house boxes such as The Project (2002) deny a look inside; doors lead nowhere, staircases into nothingness. Blind Cities is the title of a group of works whose stoic, melancholy appearance references the “homelessness” of humanity as a basic constant of the human condition and thus to one of the leitmotifs of Cabrita Reis’s oeuvre. |
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