Titre : | Documentary genealogies : photography 1848-1917 [exhibition, Madrid, Museo Nacional Centre de Arte Reina Sofia, from November 16, 2022 to February 27, 2023] | Type de document : | texte imprimé | Auteurs : | Centro de arte Reina Sofía, Collectivité éditrice ; Jethro Soutar, Traducteur ; Carolyn Wooding, Traducteur | Editeur : | Madrid : Museo Nacional Centro de Arte Reina Sofia | Année de publication : | 2022 | Importance : | 1 vol. (263 p.) | Présentation : | ill. | Format : | 23 cm | ISBN/ISSN/EAN : | 978-84-8026-642-0 | Langues : | Anglais | Catégories : | Anthropologie Catalogues d'exposition Photographie Photographie documentaire
| Résumé : | Through research and an exhibition under the same title, curator, editor and artist Jorge Ribalta traces a specific cartography around what historian André Rouillé dubbed the “empire of photography”: the outbreak of a new visual regime that would become an instrument for the system of bourgeois, industrial and colonial culture halfway through the nineteenth century. As a protohistory, long before the establishment of a documentary genre in the 1920s, Ribalta renders the appearance of representations of subaltern identities — servants, beggars, workers, the jobless, enslaved subjects, recluses, the sick, and so on — in parallel with the development of photography and socialism. | Note de contenu : | Textes de Steve Edwards, Josh Ellenbogen, Duncan Forbes, Lewis Hine, Paul Mellenthin, Anne de Mondenard, Inés Plasencia, Michael Ponstingl, Jorge Ribalta, Bernardo Riego, Stephanie Schwartz, Jacob Riis, Allan Sekula, Maren Stange, Petra Trnková, Erika Wolf. |
Documentary genealogies : photography 1848-1917 [exhibition, Madrid, Museo Nacional Centre de Arte Reina Sofia, from November 16, 2022 to February 27, 2023] [texte imprimé] / Centro de arte Reina Sofía, Collectivité éditrice ; Jethro Soutar, Traducteur ; Carolyn Wooding, Traducteur . - Madrid : Museo Nacional Centro de Arte Reina Sofia, 2022 . - 1 vol. (263 p.) : ill. ; 23 cm. ISBN : 978-84-8026-642-0 Langues : Anglais Catégories : | Anthropologie Catalogues d'exposition Photographie Photographie documentaire
| Résumé : | Through research and an exhibition under the same title, curator, editor and artist Jorge Ribalta traces a specific cartography around what historian André Rouillé dubbed the “empire of photography”: the outbreak of a new visual regime that would become an instrument for the system of bourgeois, industrial and colonial culture halfway through the nineteenth century. As a protohistory, long before the establishment of a documentary genre in the 1920s, Ribalta renders the appearance of representations of subaltern identities — servants, beggars, workers, the jobless, enslaved subjects, recluses, the sick, and so on — in parallel with the development of photography and socialism. | Note de contenu : | Textes de Steve Edwards, Josh Ellenbogen, Duncan Forbes, Lewis Hine, Paul Mellenthin, Anne de Mondenard, Inés Plasencia, Michael Ponstingl, Jorge Ribalta, Bernardo Riego, Stephanie Schwartz, Jacob Riis, Allan Sekula, Maren Stange, Petra Trnková, Erika Wolf. |
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