Titre :	The Oxford handbook of mobile music studies; Volume 1
Type de document :	texte imprimé
Auteurs :	Sumanth Gopinath, Editeur scientifique ; Jason Stanyek (1969-....), Editeur scientifique
Editeur :	New York : Oxford University Press
Année de publication :	2014-2017
Collection :	Oxford handbooks
Importance :	1 vol. (538p.)
Format :	25 cm
ISBN/ISSN/EAN :	978-0-19-537572-5
Note générale :	Includes bibliographical references and index
Langues :	Anglais
Catégories :	Musique -- 20e siècle Radio Sociologie de la musique Son -- Enregistrement et reproduction Technologie
Résumé :	Volume 1 provides an introduction to the study of mobile music through the examination of its devices, markets, and theories. Conceptualizing a long history of mobile music extending from the late nineteenth century to the present, the volume focuses on the conjunction of human mobility and forms of sound production and reproduction. The volume's chapters investigate the MP3, copyright law and digital downloading, music and cloud computing, the iPod, the transistor radio, the automated call center, sound and text messaging, the mobile phone, the militarization of iPod usage, the cochlear implant, the portable sound recorder, listening practices of schoolchildren and teenagers, the ringtone, mobile music in the urban soundscape, the boombox, mobile music marketing in Mexico and Brazil, music piracy in India, and online radio in Japan and the US.

The Oxford handbook of mobile music studies; Volume 1 [texte imprimé] / Sumanth Gopinath, Editeur scientifique ; Jason Stanyek (1969-....), Editeur scientifique . - New York : Oxford University Press, 2014-2017 . - 1 vol. (538p.) ; 25 cm. - (Oxford handbooks) .
ISBN : 978-0-19-537572-5
Includes bibliographical references and index
Langues : Anglais

Catégories :

Musique -- 20e siècle Radio Sociologie de la musique Son -- Enregistrement et reproduction Technologie

Résumé :

Volume 1 provides an introduction to the study of mobile music through the examination of its devices, markets, and theories. Conceptualizing a long history of mobile music extending from the late nineteenth century to the present, the volume focuses on the conjunction of human mobility and forms of sound production and reproduction. The volume's chapters investigate the MP3, copyright law and digital downloading, music and cloud computing, the iPod, the transistor radio, the automated call center, sound and text messaging, the mobile phone, the militarization of iPod usage, the cochlear implant, the portable sound recorder, listening practices of schoolchildren and teenagers, the ringtone, mobile music in the urban soundscape, the boombox, mobile music marketing in Mexico and Brazil, music piracy in India, and online radio in Japan and the US.