Titre : | Framis in Progress | Type de document : | texte imprimé | Auteurs : | Manuel Olveira, Auteur ; Montse Badia, Auteur ; Ole Bouman, Auteur | Editeur : | Framis Projects | Année de publication : | 2015 | Importance : | 1 vol. (224 p.) | Présentation : | ill. en coul. | Format : | 34 cm | Note générale : | "Framis in Progress", exposition solo au Museum voor Moderne Kunst, The netherlands, 2013; Galerie im Taxispalais, Innsbruck, Austria, 2013-2014; MUSAC, Léon, Spain, 2014; Centre for Contemporary Art, Brugge, Belgium, 2014 | Langues : | Anglais | Catégories : | Architecture Art de performance Art interactif Design Discrimination Études sur le genre Framis, Alicia Mode
| Résumé : | This large-format book delves into all aspects of her oeuvre over the last fifteen years, from films and installations to performance art and fashion design. Divided into three broader themes – social architecture, fashion and demonstrations, and wishing walls – it investigates her work and its interaction with people, addressing various societal issues like race, gender and discrimination. |
Framis in Progress [texte imprimé] / Manuel Olveira, Auteur ; Montse Badia, Auteur ; Ole Bouman, Auteur . - [S.l.] : Framis Projects, 2015 . - 1 vol. (224 p.) : ill. en coul. ; 34 cm. "Framis in Progress", exposition solo au Museum voor Moderne Kunst, The netherlands, 2013; Galerie im Taxispalais, Innsbruck, Austria, 2013-2014; MUSAC, Léon, Spain, 2014; Centre for Contemporary Art, Brugge, Belgium, 2014 Langues : Anglais Catégories : | Architecture Art de performance Art interactif Design Discrimination Études sur le genre Framis, Alicia Mode
| Résumé : | This large-format book delves into all aspects of her oeuvre over the last fifteen years, from films and installations to performance art and fashion design. Divided into three broader themes – social architecture, fashion and demonstrations, and wishing walls – it investigates her work and its interaction with people, addressing various societal issues like race, gender and discrimination. |
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